‘The Deputy’and Nazi Germany. Why the 1963 Holocaust play was so explosive

This play has always rattled around in my conscience.  When it was on stage in the 1960’s I heard about, was aware of its story line and wasn’t shocked by the subject matter.  The Vatican’s complicity with the Nazi regime and the Holocaust.

Governments, culturual institutions and various religions all turned a deaf ear to what was happening in Nazi Germany. It was only after the obliteration of Nazi Germany and the horrors the Hitler regime were fully known to the world that the collaboration and compliticty of people and institutions saw the light of day.

The Deputy is just one story amongst many chronicling abhorrent and inexplicable human behavior.

Deutsche Welle 5.14.2020

German playwright Rolf Hochhuth, who has died at the age of 89, became famous for his work addressing Pope Pius XII’s indifference to Hitler’s extermination of the Jews, which stirred up international controversy.

In The Deputy, Hochhuth looks into the inaction of the head of the Catholic Church, Pope Pius XII, (shown above) during the Holocaust. “A diplomat has to see and remain silent,” says the character of Pope Pius XII, the “deputy” of Christ on earth.

Born on April 1, 1931, Rolf Hochhuth had just turned 14 when the Americans invaded his hometown of Eschwege. It was a significant experience for the boy, who would later deal with National Socialism in his works.

In the 1960s, Hochhuth became one of Germany’s main representatives of so-called documentary theater — plays which combined facts from extensive research with fictional elements.

Rolf Hochhuth 2016 (picture-alliance/dpa/H. Schmidt)Rolf Hochhuth died on May 13, 2020

He was only 26 when he wrote the play that would make him famous: The Deputy, A Christian Tragedy. The publishing house, however, kept the play on hold for years before avant-garde theater director Erwin Piscator decided to stage it. It premiered on the Freie Volksbühne stage in West Berlin in February 1963, making the author world-famous.

Within the same year, the explosive play was produced again at different theaters in West Germany, as well as in Denmark, Finland, France, Sweden, Switzerland and the UK, where it was performed in London by the Royal Shakespeare Company.

Explosive accusations against the Vatican

In her essay from 1964, The Deputy: Guilt by Silence?, Hannah Arendt describes the play as “almost a report, closely documented on all sides, using actual events and real people, reinforced by 65 pages of ‘historical sidelights’ written by Hochhuth and anticipating nearly all arguments that have been raised against it.”

The Deputy I 5.14.2020

But many experts and Church authorities obviously didn’t agree with Hochhuth’s interpretation of the events, charging him of having written an anti-Catholic drama. It became the most controversial work of its time.

The Encyclopaedia Britannica, for instance, underlines in its entry on the Holocaust that Hochhuth’s depiction of the Pope during World War II “lacks credible substantiation.”

It goes on to add: “Though Pius’ wartime public condemnations of racism and genocide were cloaked in generalities, he did not turn a blind eye to the suffering but chose to use diplomacy to aid the persecuted. It is impossible to know if a more forthright condemnation of the Holocaust would have proved more effective in saving lives, though it probably would have better assured his reputation.”

For Arendt, the facts presented in the play were not the elements in dispute, as it had been historically established that the Pope had indeed been informed of the deportation and “resettlement” of the Jews and that he did not raise his voice in protest. In her view, the controversial point at issue was rather: “Is it true, as Hochhuth clearly thinks, that the Vatican would not have been silent ‘had there been a better Pope’?”

Still a burning question

The Deputy has since been produced in theaters in more than 80 cities worldwide, and the play has been translated into more than 20 languages.

In 2002, Greek-French director Costa-Gavras based his film Amen on Hochhuth’s play. The film, starring Ulrich Tukur, Mathieu Kassovitz and Ulrich Mühe, added more emphasis on the equally guilty passivity of the Allied powers, in particular the United States, through the character of the US ambassador to Italy who hid behind the passivity of the Vatican.

Why the Allies and the Catholic Church did so little to prevent the Holocaust even if world leaders knew about it remains an explosive question to this day.

Now researchers might come up a better understanding of Pius XII’s role during the Holocaust, as the Vatican opened its archives to historians last March.

Following the news of Hochhuth’s passing on Wednesday, Germany’s Central Council of Jews paid tribute to the author, stating that he had been a “courageous taboo-breaker” who “touched off an overdue debate in Germany” about the role of the Church during the Nazi period.

Read more: The ratlines: What did the Vatican know about Nazi escape routes?