NPR host says Pompeo had a meltdown when she asked him about Ukraine

Sad and typical boorish behavior from America’s top diplomat and Trump apologist. Mike Pompeo is the typical loser clown, all too typical of the sycophants who work for this unhinged fool in the White House.

Mike Pompeo is an embarrasment. But in Trump’s world view he only wants slavish obedience. He gets it with this clown.

The Guardian 1.24.2020

Secretary of state used the F-word and demanded host Mary Louise Kelly find Ukraine on a map, journalist says

Mike Pompeo is said to have unleashed a foul-mouth tirade at a well known US radio host after she asked him questions about Ukraine in an interview.

Most of the interviews Pompeo gives are to conservative or evangelical Christian media or outlets from his home state of Kansas, where the tone of questioning tends towards the reverential and supportive. He has a history of attacking his interviewer when faced with challenging questions, often dismissing those questions as absurd.

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Mary Louise Kelly, a respected broadcaster on National Public Radio (NPR), sat down for a pre-arranged interview with the secretary of state on Friday, whose wrath was apparently triggered by a string of questions about Marie Yovanovitch, the former US ambassador to Ukraine. Kelly asked Pompeo whether he owed Yovanovitch an apology for not defending her in the face of a smear campaign orchestrated by Donald Trump’s lawyer Rudy Giuliani and his associates.

Kelly said an aide to Pompeo then abruptly ended the interview, before Pompeo summoned her to his private living room at the state department and began berating her, asking her :“do you think Americans care about Ukraine?”

“He used the F-word in that sentence and many others,” Kelly said, describing a rant in the room where the notoriously thin-skinned former Republican congressman had called her.

Pompeo “shouted at me for about the same amount of time as the interview” Kelly recalled. “He was not happy to have been questioned about Ukraine.” Pompeo is due to travel to Ukraine next week.

In what appeared to be a bizarre attempt to browbeat her, he asked the host of the NPR programme All Things Considered if she could find Ukraine on a map, and when she said she could (she was a foreign correspondent and has covered intelligence and national security) he called for aides to bring a map of the world with no country or place names on it.

Kelly pointed to Ukraine, Pompeo put the map away and said: “People will hear about this”.

That is what happened. Kelly went on NPR after her interview aired, and gave her account of the encounter.

Yovanovitch was removed in May as the Trump camp was trying to put pressure on the Ukraine government to produce compromising material on Joe Biden and his son – the issue at the heart of the impeachment trial underway in the Senate.

Kelly’s questions were particularly topical as a new recording surfaced on Friday in which Giuliani’s associates denigrated Yovanovitch and a voice that appears to the president’s can be heard saying: “Take her out”.

Pompeo told Kelly he had agreed to the interview to talk about Iran. But Kelly pointed out that she had confirmed with his staff that she would ask about both Iran and Ukraine.

“I just don’t have anything else to say about that this morning,” Pompeo said. According to Kelly, he leaned towards her and glared as the interview was wound up.

In June 2018, when asked whether the statement about denuclearisation signed by Trump and Kim Jong-un at a summit in Singapore would be verified by weapons inspectors, Pompeo became angry telling a reporter: “I find that question insulting and ridiculous and, frankly, ludicrous.”

In the face of further questioning he said: “It’s not productive to do that, to say silly things. It’s just – it’s unhelpful.”

It soon became apparent that the North Korean leader had not made the disarmament pledges Trump and Pompeo had claimed.

https://www.theguardian.com/us-news/2020/jan/24/mike-pompeo-ukraine-npr-rant

Raids in 6 states as Germany bans ‘Combat 18’ neo-Nazi group

America and Germany have a lot in common when it comes to scourge of Neo-Nazi movements.

It’s shocking and disturbing that 87 years after Hitler came to power in Germany so many folks advocate twisted Nazi doctrine.

Germany is much more aggressive in hunting down these Nazis.  The German government actually bans their existence as a danger to the State.

Deutsche Welle 1.23.2020

Authorities banned a neo-Nazi group that saw itself as “Adolf Hitler’s task force” and had links to the murder of a German politician. Police also conducted raids against the group in six states.

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German Interior Minister Horst Seehofer banned a right-wing extremist group on Thursday that referred to itself as “Adolf Hitler’s task force.”

The German branch of Combat 18 “is a neo-Nazi, racist and xenophobic association whose purpose is similar to that of national socialism,” the ministry said in a statement announcing the ban.

Read more: Combat 18: The neo-Nazi network banned in Germany

“Today’s ban is a clear message: right-wing extremism and anti-Semitism have no place in our society,” Interior Minister Seehofer said.

The ban came as 210 officers on Thursday morning carried out raids across Germany, searching through apartments in the states of Hesse, Thuringia and North Rhine-Westphalia as well as in three other states.

“Mobile phones, computers and right-wing extremist symbols were confiscated,” a spokesman for the Rhineland-Palatinate Interior Ministry said.

Calls to ban the group had been growing since the murder of German politician Walter Lübcke near Kassel in June 2019. His suspected murderer is thought to have had contact with members of Combat 18. Europol, the EU-wide police agency, also warned that Combat 18 posed a threat throughout Europe.

Under the ban, the group will not be able to meet and it will be illegal to write or use the group’s logo.

What is Combat 18?

Combat 18 is a militant neo-Nazi organization formed in Britain in 1992. They are believed to be the armed wing of another another neo-Nazi network, Blood & Honour, that has spread to several European countries.

The number 18 in the name corresponds with the first and eighth letters in the alphabet —A and H— the first letters of Adolf Hitler’s first and last names.

The group was classified as a right-wing extremist group in Germany at the start of the 2000s and there are thought to be around 20 members in the German organization. The group’s motto is “whatever it takes.”

Leaders of the German faction are reported to be Stanley Röske, 43, from near Kassel, and Robin Schmiemann, 35, from Dortmund. Schmiemann spent time in prison for shooting a Tunisian during a supermarket raid.

The group is particularly known in Germany for spreading right-wing extremist music and organizing neo-Nazi concerts.

https://www.dw.com/en/raids-in-6-states-as-germany-bans-combat-18-neo-nazi-group/a-52116504

Clay Theatre to close, last Bay Area single screen in Landmark art house chain

Breaking News 4.15.2019

Another sad indicator of the changing scene in San Francisco

San Francisco Chronicle 1.22.2020

The warm white-on-red neon blade and marquee at the Clay Theatre, one of the oldest movie theaters in San Francisco and a signpost on Fillmore Street in Pacific Heights since around 1910, will flicker off after one last picture show as the shoebox-shaped room is scheduled to close Sunday, Jan. 26.

With the 325-seat Clay going dark, that leaves San Francisco with the Vogue Theatre on Sacramento Street as the only neighborhood first-run single screen in the city. The Clay is part of a chain of art houses across the country owned by Landmark Theatres, including venues in Berkeley, Albany, Oakland, Palo Alto and Santa Cruz in addition to the Embarcadero Center Cinema and Opera Plaza Cinema in San Francisco.

Landmark President Paul Serwitz, reached by phone in Los Angeles on Wednesday, Jan. 22, confirmed the closure and said the Clay had been losing money for six consecutive years.

“Much of Landmark’s DNA is in older theaters like the Clay, but we’ve put many efforts into making the Clay work and are unable to operate it viably,” he said.

Serwitz added that the Opera Plaza Cinema on Van Ness, which also had been rumored to face closure, will remain open and is scheduled for refurbishing.

The Clay’s fate “came as a shock to me,” the Clay’s landlord, Balgobind Jaiswal, said Tuesday, Jan. 21. Jaiswal, who also owns Cielo Boutique on the same block of Fillmore as the theater, said he has been exploring the concept of combining the movie theater with a restaurant to make it viable but has not yet found a food partner for that venture.

Despite the pending closure, Alfonso Felder of the San Francisco Neighborhood Theater Foundation sounded hopeful for the future of the historic building.

“There is a level of interest in the community for it staying a theater that I’m optimistic will result in another chapter,” said Felder, whose organization bought and saved the Vogue. “The Clay has been around since 1910, so it has some fortitude.”

The darkening of the Clay Theatre follows the recent closure of the Guild in Menlo Park as the last two single screens in Landmark’s Bay Area portfolio.

The chain was launched in 1975 by San Franciscans Gary Meyer and Steve Gilula. Landmark took over the Clay in 1991 and throughout that decade was a major force in the indie film craze that was fed constant product by studios like Miramax and Orion Classics.

Meyer sold the chain to Samuel Goldwyn Jr. in the late ’90s, starting the long, slow whittling of the chain through sales and a bankruptcy before Landmark was purchased by Cohen Media Group in late 2018.

By then the Bridge Theatre, another beloved Landmark single screen off Geary Boulevard, had already folded and it was rumored that the Clay would be next to fall.

In 2010, the Clay looked as if it was going to be saved by the San Francisco Film Society (now SFFilm), which had been in talks to take it over from Landmark. But that deal fell through, compelling Jaiswal to reduce rent for Landmark to keep the theater running.

This time around, Jaiswal said he was not offered any terms by Landmark, which is on a month-to-month rent. He expects to be served notice that Landmark will vacate any day now and suspects it is closing to give the operator ample time to remove its equipment.

But in a post on the Facebook page “Save The Clay Theatre San Francisco” on Tuesday, Clay floor staffer and in-house historian Michael Blythe blamed the impending closure of the Clay on the landlord Jaiswal, not the operator Landmark. He implored moviegoers to contact Jaiswal by email and come to the theater to demand it remain open.

“Ask that he work with Landmark to make the improvements needed to the facility without destroying its simple charms,” Blythe stated. “Tell them how much you adore this building before it is too late.”